In Hell's Gate National Park, close to Lake Naivasha, I was told a story which combines feet and water in the formation of a deep gorge . The Maasai used to herd their cattle between the high plateau and Lake Naivasha. The route they wore attracted running water in the rainy season, which worked with the pathway over the years to gouge a deep indentation in the land. The herders continued to use the route, fairly dry except during the rains, and the gorge deepened to its dramatic formation today. Whether or not this geography is accurate, I like the story of cooperation between human and animal movement and the aggressive momentum of water.
In the gorge, the Maasai found boiling water spouting and falling, they thought of it as someone below them, cooking. They were then convinced this ravine led to Hell.The Maasai and their animals are now settled there, no longer nomadic. But the tracks of wilder animals persist, overlaying each other on the same routes, ways that converge into the only water hole, to lay out a massive spider of paths.
Yesterday I walked across the valley near my home. The valley bottom is now a golf course but it had previously been common-land and people walk their dogs or themselves there as if it still is. By and large walkers and golfers cooperate. Over the years the greenkeepers have made efforts to re-direct feet by closing gaps in walls where short cuts emerge onto roads or other pathways. Yesterday I noticed that one of the former ways has re-asserted itself over the non-golfing winter - a thin line has been worn in the grass leading to a small but determined tumbling of the wall.
3 comments:
Hello Linda,
Just wanted to say hello! I was in Fort William at the Mountain Festival this weekend, leading the walking/writing workshop in Glen Nevis, which I understand you led last year! Thoroughly enjoyed it, including the mix of hail and sleet that accompanied us!
Also wanted to say how much I'm enjoying your blog.
With my best wishes,
Susan
The photo reminds me of the trods the sheep leave on the hefts on various hills at home. Weird though to think of self-hefted in the migratory sense of Africa ...and other migratory passages in the world ....but it's the same.
Dear Linda
I am currently working on a research project about women artists who use walking as a main material in/of their practice. Part of the research involves interviewing women about walking whilst walking with them. I'd love to get in touch with you.
Dee (from Glasgow)
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