Showing posts with label best foot books. Show all posts
Showing posts with label best foot books. Show all posts

Wednesday, April 25, 2012

In Explorers' Footsteps

I was honoured to spend World Book Night (23rd April) in the Explorers' Room at the Royal Scottish Geographical Society in Perth reading from 'Following our Fathers' ina room packed with maps, photographs and books. What a treat! I was reading with Gavin Francis, talking about polar travels, and Jamie Grant talking about following his father on the Bolivian Altiplano. A great evening.http://www.rsgs.org/projects/fmh.html

Tuesday, April 3, 2012

'Following our Fathers' reviewed in Northwords



The current issue of Northwords, a marvellous journal, carried this interesting review of the new wee book:
Following Our Fathers –
Two Journeys among Mountains
by Linda Cracknell
Best Foot Books (www.lindacracknell.com)
Review by Stephen Keeler
Beginnings and endings are rarely clear-cut,
discrete or readily identifiable. Towards the
end of the first of the two accounts which
make up this heart-warming little treasure of
a book Cracknell suggests that she ‘set out on
this walk principally for a holiday’. It is clear
from the outset, however, not only that she
set out for rather more than a holiday but also
that she had ‘set out’ long before she arrived
in Norway to do it.
Cracknell’s first account, ‘Losing my footing,
finding my feet again’, is of her ‘walk’ in
the footsteps of Sven Sømme, a Norwegian
biologist arrested by the German forces occupying
his country in 1944 for photographing
a torpedo station near Åndalsnes. An activist
in the resistance movement, Sømme escaped
during transportation to the regional military
headquarters for summary trial, and headed
for neutral Sweden across Norway’s backbone
of high fells and towering alps. His compelling
and deeply personal account of the arduous
and hazardous trek was published in 2005, as
Another Man’s Shoes, and is Cracknell’s companion
guide, along with Sømme’s daughters
Ellie and Yuli, on a commemorative walk, sixty
years later, to ‘reinforce their father’s route’, to
create their own ‘pathways of personal meaning’,
and to ‘reclaim Norway as a country to
which [they] belonged’. Heady stuff, even for
readers not prone to vertigo.
Cracknell’s skill as a writer is to combine
the poetry and the prose without appearing
to have to try too hard. The hills may always
‘tremble with promise’ but they never cease to
be what Robert Louis Stevenson called ‘granite
underfoot’. The Norwegian west coast
evening ‘stretched out long and late with its
layering of blue-island silhouettes reminding
[her] of the Summer Isles’, but ‘the path crosses
a featureless plateau, and circles behind a small
hill, after which we descend back towards the
lake through rocky outcrops’. Unsurprising
that her desk and computer seem ‘remote
and irrelevant’, that she should contemplate,
in the silent sleeplessness of the high alpine
valley, not only the Sømmes’ genetic legacy
stretching back like the valley itself, but eventually
that of her own family. Just like Sven
Sømme, Cracknell’s father died of cancer in
1961: ‘Although he was a keen mountaineer,
I know little of what and where he climbed.
I have no scent or record of his adventures.
For all I know, he might have climbed here
in Norway.’
And so, of course, the seeds of Cracknell’s
second piece are planted. Lying awake in the
chill of a high Norwegian mountain pass, she
is inclined to think of her ‘valley’ as ‘strangely
punctuated’, as something of a terminal moraine,
perhaps, and of herself as ‘a full stop’: ‘I
returned home thinking about this. I wanted
to follow more whispering ways; to seek out
stories that still echo underfoot…’
The second piece, ‘Outlasting our Tracks’,
is the story of Cracknell’s attempt at the
Finsteraahorn, in the Bernese Oberland
(Switzerland), and is a mountaineer’s account
of a serious climb, full of the insights and detail
an armchair climber longs to read: ‘The
rope makes a team of us, pulling us out of
individual reveries and slow waking with the
need to communicate. Like riding a tandem,
pauses will need negotiation.’ It is also an account
of Cracknell’s attempt to ‘colour in the
shaded outline in [her father’s] photograph’,
for at half her age he had led an expedition to
the Finsteraahorn, in 1952, and this was her
answer to the call to follow him.
Her account of the climb, of fewer than
forty rather small pages, soon has me breathless.
By the time they reach the crest I – merely
a reader – am exhausted by the terror, the effort
and the concentration, and I am about to
be assaulted by a ‘dark twist’ in the narrative
which will replace triumph with solemnity.
There is, however, a sense of loose ends being
knotted, a tidying of affairs: ‘this experience
will echo on. A spell has been untied; a story
retraced and given words out of silence.”
I finish, and put my copy of the book
aside with a sigh. Some readers will find the
photos and maps that occur at various places
in the book add little, and may even detract.
They do, however, emphasise the personal
nature of both the writing and the subject
matter. There is a particular tenderness when
Cracknell considers fathers and their daughters,
as far removed from sentimentality as
it is possible to be. There are gentle insights
into the deep-rooted bonds of kinship, and
a merciful absence of fashionable angst. This
is a book to take with you somewhere quiet,
but take a notebook, too, so that you can jot
down your plans to follow, metaphorically at
least, in the author’s footsteps.

Friday, February 3, 2012

Following our Fathers - new from 'best foot books'


My latest ‘best foot book’ is officially published in a week’s time. Following our Fathers: Two Journeys among Mountains is non-fiction mountain literature with personal stories at its craggy heart. As the blurb says:
‘Two men make significant journeys on foot, one in Nazi-occupied Norway, 1944, and one in the Swiss Alps, 1952. Both die as young men from cancer in 1961. More than half a century after their journeys, the writer finds their routes still ‘way-marked’ by memory. By sharing their footprints, she makes memorials to the men as fathers – one of them her own.’

It includes maps, photos and illustrations I’ve drawn myself, has been packed into a neat 120 page pocket book, and self-published; this project has been a long time ‘cooking’. The post below tells how it came about. You can read more or purchase a copy of the book for £7 inc p&p from my website http://www.lindacracknell.com/ and it has a facebook page where you can follow its progress if you 'like' it.
My father was a mountaineer. He was also a motorcyclist. I know about the latter because my mother used to talk about the time she fell off the back of it. It became one of the repeated legends from the early life of our family.
I am also a bit of a mountaineer; a bit of a motorcyclist. A genetic inheritance or a coincidence? It seems unlikely I was influenced by a man who died on 31st January 1961 when I was 18 months old and he was only 33.
In the summer of 2004, I filled a 55 litre rucksack with stove, tent, books and clothes to join an old friend, Yuli Sømme, and her siblings who were following their father’s escape route 200 miles across the mountains from west coast Norwayto neutral Sweden, pursued by Nazi soldiers in 1944. It was a celebration of his life as well as his journey. At nights, wild-camping and mosquito-ambushed, we read extracts from his own account of the escape aloud. His euphoric sense of freedom often came across more strongly than fear of his predicament. He was breaking away from a settled life and work to make his own way in the mountains; he observed the spray kicked up by the heels of a herd of reindeer, ate cloudberries, and sang.
For Yuli and her family it was an emotional journey. But it was for me too, reminded with every footfall of my own lost father. As we walked, and talked about what we knew of our fathers (who died of cancer in the same year) and their passion for the mountains, I began to think about a walk to pay homage to my own father of whom I had no memory. I thought it might be either a journey he had always wanted to do, or retracing one that he had done. But the family’s collective memory was hazy.
The journey that was best recalled, because it generated lines in a newspaper which were duly stuck in a photo album, was an ascent of Finsteraarhorn, the highest summit in the Swiss Bernese Oberland. My mother photocopied the photos for me and the process polarised the black and white, so that the dark rock spars in violent angles and steep slopes up to a fierce point, the blank paper showing a formidable banking up of snow. There was also a small photo of my father, Richard Cracknell. Facing the camera, hands on hips, he wears rough canvas trousers and a long-sleeved shirt with big pockets and a cravat. Under a lop-sided, broad brimmed hat, his face is shaded but there is a small hint of white teeth, a smile, a suggestion of my own brow.
So this mountain (which became treacherous and traumatic for my father) presented itself to me in 2008. Standing at 4,274 metres and with a very long walk in, it was a considerable challenge, requiring mountaincraft. How to go about it? By coincidence, my friend Rick was planning an Alpine climbing trip with his friend Colin as a way of marking both their fiftieth birthdays, and Finsteraarhorn was their first choice. When we discovered this, they bravely agreed I could join their expedition. I knew they would be good companions – both first and foremost passionate about the experience of being in the mountains, having fun, appreciating flowers, and notobsessively ticking off conquests.
My first Alpine climb was an exciting prospect, but as a rather cowardly climber, it also jangled my nerves. I’ve climbed plenty of winter hills in Scotland, learnt some basic belaying techniques on ice, done a bit of rock climbing and have been at altitude a few times over the last 20 years – although not always comfortably. But I knew it would challenge me technically in terms of ice, snow and crevasses and there were a number of unknowns – how my veteran body would cope, the timing of the right weather window and what the party’s fitness would permit. I reassured myself that to be in the alpine environment would feel a meaningful pilgrimage in itself, even if we failed to summit.
The emotional challenge seemed to match the severity of the physical task. I hoped this journey would bring me closer to the memory of my father, the man I know was a well-loved friend, a chemist with a gift for languages, who cooked and cared for his children before he became ill. A man who loved mountains and motorbikes.
Following our Fathers overlays accounts of my own walks in Norway and Switzerland with the journeys taken by Sven Sømme and my father. One of the great joys of being a writer, and especially of taking excursions into non-fiction, is that I can relive and re-celebrate an experience such as this as I craft it into words for a page. It’s taken its time and I won’t pretend that finding an effective way to write about it hasn’t been a steep climb too…!

Friday, April 29, 2011

Following our Fathers

Meredith Robinson, who is currently undertaking an MLitt in Publishing Studies at Stirling University displays the illustrated book she has created for her course project: Following our Fathers: Two Journeys among Mountains. The book comprises two essays, photos and hand-drawn maps extracted from my longer essay collection, Doubling Back, which was shortlisted in 2009 for the Robin Jenkins Literary Prize for environmental writing, and currently remains unpublished in its full form.


Following our Fathers will be in print from 'best foot books' later this year, and you can already 'like' it on a Facebook fanpage!

Robert Macfarlane has said of it: "A wonderfully subtle pair of stories about walking, wayfaring and memory. Cracknell explores the strange durability of the paths that we make in our lives, in our dreams and after our deaths."


And here's the blurb:


Two men make significant journeys on foot, one in Nazi-occupied Norway, 1944, and one in the Swiss Alps, 1952. More than half a century later, the writer finds their routes still ‘way-marked’ by memory. By sharing their footprints, she makes memorials to the men as fathers – one of them her own. Despite the shadow of death and danger, the book celebrates life, family, friendship and walking through mountain landscapes richly textured with stories.

This has been a very worthwhile collaboration with Meredith whose course and its professional approach will, I hope, see her midwifing many further books and writing projects, before long.


Tuesday, January 4, 2011

'Waller and Dyker' review of The Beat of Heart Stones

Delighted to have 'The Beat of Heart Stones' reviewed in the official magazine of the Dry Stone Walling Association, Winter 2010.

This book brings to life the building process of an old dyke, the history it has witnessed and the life it supported in a brilliantly evocative way. I challenge you not to become involved with these living stones by the end of the journey.

Richard Love


Friday, July 23, 2010

My new book - a dry stone dyke tells its story


My second pocket book is out this week, with a stony cover to chime visually with ‘Whiter than White’, and inside pages illustrated with line drawings. ‘The Beat of Heart Stones’ celebrates a Highland Perthshire landmark - an extraordinary dry-stone dyke that climbs two miles in a straight line towards the summit of Schiehallion. I find it hard to claim it as either fiction or non-fiction, but a walker who falls into step with the wall gets to hear its story.

Dry stone walling dates back at least three and a half millennia, to the village of Skara Brae in Orkney, and the Iron Age brochs of northern and western Scotland. The Perthshire dyke probably dates from the early nineteenth century and marks a very old boundary line. My eye has always been drawn up the dyke from the road under Schiehallion’s northern side. It has a monumental place in the landscape, striking upwards over steep and undulating ground. Eventually I walked its length, and began to think about the artistry of the people who built it, and what it might have witnessed in two centuries of standing there. That’s when I started to ‘hear’ the voice of the wall! More about the project can be found by clicking on the ‘dyke’ label.

‘The Beat of Heart Stones’ by Linda Cracknell, best foot books,
ISBN 978-0-9562453-1-1, £4. Available from The Aberfeldy Watermill, some other local outlets, and direct from my website for £4 inc p&p.

Monday, June 1, 2009

'Whiter than White' - a new story in book form


First offspring of 'Best Foot Books', this small book, perfectly formed to fit a pocket, contains a long short story inspired by my walks on the Isle of Rum. The Edwardian history of Kinloch Castle and the servants' walk across the island between castle and laundry form the backdrop. (See previous posts). Available from a number of appropriate outlets including The Aberfeldy Watermill, the Fruitmarket Gallery, Edinburgh, The Land, Sea and Island Centre and Cafe Rhu in Arisaig; the Mallaig Bookshop, Mallaig Heritage Centre ; Kinloch Castle on Rum. It can also be ordered direct from my website for £4 inc p&p.
It’s 1913, and as the stags’ roaring fades in the hills, the household at Kinloch Castle is packing up to return to Accrington at the end of another season. Jimmy will walk over the hill only seven more times to deliver the laundry to the maids Emma and Lily at Kilmory. Then he will return to his home on the Isle of Eigg. In those last brief visits, will he manage to both ensure his future with the departing Emma, and to contain their secret?